This is part three in a series documenting John Chambers’ and my modelling of Woodstock House, as part of our Modelling Humanities Data Module. Please go to John’s blog here to see more.
Issues with Geometry
Now that we had completed our foundations completed on the house, so to speak, we began working on the roofs of the house. This proved more tricky than building the walls, as the walls had only required the building of the general wall shapes and setting the parameters we wanted.
This is part two in a series documenting John Chambers’ and my modelling of Woodstock House, as part of our Modelling Humanities Data Module. Please go to John’s blog here to see more.
Having acquired the plans for Woodstock, we set about trying to figure out how best to adapt these plans for our model. We quickly realised that although the post-fire compensation plans were adequate with regard to informing us on how the house was supposed to look, they only really had one real measurement on them, which was in feet. Continue reading Rebuilding Woodstock – Scaling and Building Walls (AFF-604A)
This is part 2 of a two-part blog for my MA in Digital Humanities practicum. For part one, please click here.
In my previous post I outlined some of the steps that I had taken at the beginning of my practicum. This blog post will serve as a means of describing some of the issues that have arisen in the weeks since that blog post and how I have resolved them. It will also include some of the surprising successes and realizations I have gained as a result of dealing with the aforementioned issues. Continue reading Creating and Curating an Online Exhibition – Part 2 (AFF-611A)
This blog post is the fourth in a series,The Power of the Image, click herefor part 3.
Throughout this series, I have investigated some of the aesthetic, theoretical, and practical implications surrounding Digital Heritage; photorealism, non-photorealistic rendering (NPR), objectivity, authenticity, and reconstruction are all points of interest surrounding the field. However, with such issues constantly being discussed and argued across the community, consensus in some form or another is an issue one needs to consider. Continue reading The Power of the Image: The London Charter (AFF-622)
This blog post is the third in a series, click here for part 2.
In my previous two posts from this series, I explored some of the pros and cons of photorealism and non-photorealism. I’ve come to realise that critically thinking about the ‘correct’ application of a visual aesthetic is at once both subjective and objective; it would appear that using photorealistic or NPR techniques in digital heritage is dependant on a plethora of factors, though it usually seems to either come down to the task at hand or purely the desired visual aesthetic of a certain technique relative to that particular task. Continue reading The Power of the Image: Objectivity, Authenticity, and Reconstruction (AFF-622)
This blog post talks about a project relating to the Letters of 1916 project. To read my last post on the project, click here.
As one of our assignments for Digital Scholarly Editing, we were tasked with designing and implementing an outreach activity with the members of the Letters of 1916 team for the project. After thinking about the possibilities of what a successful method of outreach could be, I decided that digital outreach via some sort of web-based platform could perhaps achieve an outreach that went beyond the analogous kind procured from localised events. Continue reading Designing and Releasing a Podcast: Outreach Activity (AFF606b)
This blog is the third in a series, with the first being available here, and the second can be found here.
Technology 3: Photogrammetry
As mentioned in my first blog in this series, we decided as a group that the best way to accurately capture and record the three figurines was to use the method of Photogrammetry. Photogrammetry is a means by which we can make measurements from photographs and recover the exact positioning of surface points on an object. Using photogrammetry, we were able to create photorealistic 3D models of each of the figurines using Agisoft Photoscan. Similar to the RTI method outlined in my last post, there are two stages to creating each of the models; capturing and post-capture processing. For the team, although this was undoubtedly the most laborious method of recording, the results were impressive. Continue reading Group Assignment Part 3: The Figurines (AFF-622)
This post is a continuation on a project outlined in my last post, which you can read about here.
Technology 1: RTI Capturing & Processing
The first recording method that we decided to use was Reflection Transmission Imaging (RTI) on the Greek coin, the papyrus, and the abstract painting. The set-up process for capture was relatively easy, with the Canon EOS camera being kept in a fixed position on a tripod directly facing the floor perpendicular to the object. The camera was connected to a laptop with the correct software installed that allowed us to use live capture of images. Continue reading Group Assignment Part 2: Recording the Coin, Painting, and Papyrus (AFF-622)
As part of our coursework for AFF-622, my colleagues Aveen Holland, John Chambers and I were tasked with a group project that required, in its brief, the “digitisation, analysis and publication of the artefacts recovered after the arrest of [a] man…”. We were given six objects that we had to make digital recordings of based on the skills we had gained throughout the module so far regarding the technologies covered in class. The artefacts that required recording were as follows; Continue reading Group Assignment Part 1: Planning the Project (AFF-622)