Having acquired the plans for Woodstock, we set about trying to figure out how best to adapt these plans for our model. We quickly realised that although the post-fire compensation plans were adequate with regard to informing us on how the house was supposed to look, they only really had one real measurement on them, which was in feet. Continue reading Rebuilding Woodstock – Scaling and Building Walls (AFF-604A)
This is part 2 of a two-part blog for my MA in Digital Humanities practicum. For part one, please click here.
In my previous post I outlined some of the steps that I had taken at the beginning of my practicum. This blog post will serve as a means of describing some of the issues that have arisen in the weeks since that blog post and how I have resolved them. It will also include some of the surprising successes and realizations I have gained as a result of dealing with the aforementioned issues. Continue reading Creating and Curating an Online Exhibition – Part 2 (AFF-611A)
As part of the MA in Digital Humanities program, I have been tasked with undertaking a practicum at the Contemporary Music Centre. The goal of this practicum is get get first-hand experience at a cultural institution with the aim of producing a Digital Humanities project. Continue reading Creating & Curating an Online Exhibition (AFF-611A)
The pervasiveness of the internet into everyday life is becoming more and more inherent as the looming information takeover grows evermore vast. This is evidenced by the mere task of retrieving data is made possible by having access to almost the entire wealth of human knowledge sitting in your pocket. Having an immense wealth of data means nothing however if there is no way through which a computer can identify, select, or relate any of it. Continue reading Data Standardisation (AFF-604A)
This blog post is the fourth in a series, The Power of the Image, click here for part 3.
Throughout this series, I have investigated some of the aesthetic, theoretical, and practical implications surrounding Digital Heritage; photorealism, non-photorealistic rendering (NPR), objectivity, authenticity, and reconstruction are all points of interest surrounding the field. However, with such issues constantly being discussed and argued across the community, consensus in some form or another is an issue one needs to consider. Continue reading The Power of the Image: The London Charter (AFF-622)
This blog post is the third in a series, click here for part 2.
In my previous two posts from this series, I explored some of the pros and cons of photorealism and non-photorealism. I’ve come to realise that critically thinking about the ‘correct’ application of a visual aesthetic is at once both subjective and objective; it would appear that using photorealistic or NPR techniques in digital heritage is dependant on a plethora of factors, though it usually seems to either come down to the task at hand or purely the desired visual aesthetic of a certain technique relative to that particular task. Continue reading The Power of the Image: Objectivity, Authenticity, and Reconstruction (AFF-622)
As one of our assignments for Digital Scholarly Editing, we were tasked with designing and implementing an outreach activity with the members of the Letters of 1916 team for the project. After thinking about the possibilities of what a successful method of outreach could be, I decided that digital outreach via some sort of web-based platform could perhaps achieve an outreach that went beyond the analogous kind procured from localised events. Continue reading Designing and Releasing a Podcast: Outreach Activity (AFF606b)
Having created our 3D models in PhotoScan, we were able to export the OBJ and STL files. Using these, we were able to send the STL files to the library and have our 3D models printed out using a 3D printer. It was very satisfying to see our hard work pay off by having the 3D models available for our presentation and was a nice conclusion to our hard work. Continue reading Group Assignment Part 4: Finishing the Project & Final Thoughts (AFF-622)
This post is a continuation on a project outlined in my last post, which you can read about here.
Technology 1: RTI Capturing & Processing
The first recording method that we decided to use was Reflection Transmission Imaging (RTI) on the Greek coin, the papyrus, and the abstract painting. The set-up process for capture was relatively easy, with the Canon EOS camera being kept in a fixed position on a tripod directly facing the floor perpendicular to the object. The camera was connected to a laptop with the correct software installed that allowed us to use live capture of images. Continue reading Group Assignment Part 2: Recording the Coin, Painting, and Papyrus (AFF-622)
As part of our coursework for AFF-622, my colleagues Aveen Holland, John Chambers and I were tasked with a group project that required, in its brief, the “digitisation, analysis and publication of the artefacts recovered after the arrest of [a] man…”. We were given six objects that we had to make digital recordings of based on the skills we had gained throughout the module so far regarding the technologies covered in class. The artefacts that required recording were as follows; Continue reading Group Assignment Part 1: Planning the Project (AFF-622)