Sonia Jędrysiak

Exploring the possibilities of the Digital Humanities

Month: December 2016

Quality Control

Image may contain: one or more people, people standing and shoes

With only few days to go before finalizing our project, it became more than clear that the biggest mistakes were made at the very beginning of the project. That being said, we did the best as we thought we could during data capturing session at the National Science Museum in Maynooth.

Before capturing each object we took couple of trial photos, to make sure that the camera settings are right, focus is correct and that the object is placed correctly within the light box (it was also important to determine which background would look better: black or white). Our objects had many brass, glass and polished wood elements which made it very challenging to make sure that there is as little reflectiveness as possible (post factum, we concluded that it would be best to use polarizing filters). Some of the objects had movable parts that would be set in motion as the objects were rotated during capturing, which caused some additional issues with focus. Each taken image was being examined on the camera display, however it was impossible to spot all the flaws on such a small screen.

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Virtual Heritage Network Conference at UCC

http://dri.ie/sites/default/files/VHN_Ireland_logo.png

Source: dri.ie

2016 VHN conference at University College Cork was a fantastic occasion to listen to inspiring talks and being introduced to interesting research projects. By far, the variety of covered topics was the best feature of the conference since it presented a wide spectrum of existing opportunities for further work both in  the area of Virtual Heritage, as well as Digital Humanities. If one was skeptical before about the interdisciplinary character of DH and VH, this conference proved it to be true by bringing together many scholars from different backgrounds who use similar tools often for vast types of research.

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Here be Dragons: The Fear of Progress

http://www.livescience.com/images/i/000/056/610/original/sea-serpent-attacks-ship.jpg?interpolation=lanczos-none&fit=inside%7C660:*

Source: http://www.livescience.com/

It seems like every time new research field or method is created, muffled wave of outrage ripples through the academia, triggered by skepticism, disbelief and fear of drastic change it could bring. Although very few scholars would admit it, it’s visible in heated arguments exchanged in reviews and articles. It’s only natural – when Bronislaw Malinowski introduced ethnography as a ‘must use’ tool, the anthropological scene in the UK (and in the world) was shocked and VERY uncomfortable with the idea. Yet, with years it did became a standard.

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Images on social media

http://blog.snobmonkey.com/wp-content/uploads/2016/08/1443972958552.jpeg

Source: http://blog.snobmonkey.com

This blog post is somewhat a continuation of the previous entry, since I would like to discuss in greater detail the idea behind giving the majority the ability to curate images through various social media platforms. Leaving the discussion of ‘high culture’ and pop culture, I’d like to turn towards expressions of everyday life, how we construct them and what are their meanings in terms of creating the ever-growing database linked to our digital heritage.

https://planosophy.files.wordpress.com/2014/06/banksy-out-of-stock.jpg

Banksy. Source: planosophy.files.wordpress.com

Why does preservation of everyday life’s trivialities matter? From anthropological perspective we know that this is where lies the key to understanding given society and its culture. Millions of images showing our lives and ourselves can help in possibly avoiding the struggle which are being tackled for example by creators of visual 3D representations of our heritage which in ghastly way lack humans themselves due to lack of evidence for how people have looked and moved like (Woolford, Dunn 1). Social media, as a side effect of growing tendency to overshare, act like large catalogues gathering  the data related to how we look like, our routine activities such as social interactions, eating habits, linguistic practices or interests. Unfortunately, it is impossible to use this data without critical analysis. We produce shared images according to the same rules, picked up through a narrow stream of personalized news feed and our activity on social media is shaped by how oneself wants to be viewed by the world – and others’ feed (Hochman 1). It’s a spiral of sort, which not only impacts the design of the online persona, but also our perception of everyday life which is filtered by observing live-stream of selected “worldviews” produced by other individuals (Hochman 6). Although all of the above is artificially constructed and the images produced are – in a sense – staged, they still remain precious source of information. Even if that’s an information about how we would like to perceive the world around us.

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